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Brad Anderson joins Cinetic for full representation amid new projects

From Session 9 to Worldbreaker, Brad Anderson's signature tension is heading to new screens. What's next for the master of crime and sci-fi thrillers?

The image shows a man in a blue shirt smiling at the camera against a white background. He appears...
The image shows a man in a blue shirt smiling at the camera against a white background. He appears to be a director, with a confident and friendly expression on his face.

Brad Anderson joins Cinetic for full representation amid new projects

Director Brad Anderson has signed with Cinetic for full representation. The agency, which also works with filmmakers like Richard Linklater and Todd Haynes, will now handle all of Anderson’s projects. His recent work spans both film and television, with a focus on thrillers and crime dramas.

Anderson’s career includes a string of well-known features. He directed Session 9 and Transiberian, building a reputation for tense, atmospheric storytelling. Later, he took on Beirut, an espionage thriller written by Tony Gilroy and starring Jon Hamm. His crime drama The Silent Hour, featuring Joel Kinnaman, further cemented his place in the genre.

More recently, he helmed *Worldbreaker*, a sci-fi action film with Luke Evans and Milla Jovovich. Beyond cinema, Anderson has worked extensively in television. He directed episodes of HBO’s *The Wire* and *Boardwalk Empire*, as well as Amazon’s *The Man in the High Castle*. His TV credits also include Netflix’s *Clickbait* and *The Devil in Ohio*, Max’s *Peacemaker*, and Apple’s *Invasion*. For Netflix, he additionally directed and executive produced the pilot for *I Will Find You*. Despite the new partnership, Anderson will continue to be represented by Paradigm. He is currently developing his next original feature and television projects.

Cinetic’s addition of Anderson expands their roster of high-profile directors. His experience across film and streaming platforms positions him for future collaborations in both areas. The move reflects the growing demand for directors skilled in multiple formats.

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