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In the premier season of 'And Just Like That', an attempt was made to portray the characters as current and forward-thinking, however, the result was a bit awkward as the once vibrant heroines were suddenly depicted as outdated seniors struggling to connect with modern times, resulting in an...

'And Just Like That's initial season over-exerted efforts to portray modern sensibilities,...
'And Just Like That's initial season over-exerted efforts to portray modern sensibilities, resulting in a dramatic transformation of its iconic heroines into elderly, disconnected 'grandmas', awkwardly out of sync with their Times in an embarrassing reboot of 'Sex and the City'.

You're not my spouse.

In the third season of the HBO Max series "And Just Like That," the show takes a sophomoric approach in an attempt to address contemporary social issues, but falters in execution, with the characters often appearing misaligned with their times and out-of-touch. However, as the series progresses, it returns to its roots, focusing on extravagant fashion, upscale New York apartments, and intricate couple dynamics.

The first season was heavily criticized for its over-the-top attempts to be politically correct and relevant, reducing the once fabulous heroines - Carrie Bradshaw (Sarah Jessica Parker), Miranda Hobbes (Cynthia Nixon), and Charlotte York Gold (Kristin Davis) - to almost geriatric archetypes. The second season, though slightly improving, continued to struggle with its mishandling of ancillary characters and heavy-handed themes like patriarchy, proper pronoun use, and anti-racism.

Despite these drawbacks, the third season proves to be a step in the right direction. Gone are the detestable characters like Che Diaz, the non-binary comedian, and Nya Wallace, the Columbia University professor who shared Miranda's rent. The plot centers around the characters navigating their complex lives in their late 50s, tackling themes such as aging, relationships, and family dynamics.

Carrie Bradshaw, a wealthy and influential woman, has started writing a Victorian novel as her first work of fiction, serving as the narrative basis for the episodes. Her new apartment, a 19th-century castle in Gramercy Park, has been met with enthusiasm by fans. Seema Patel, a chic real estate agent, takes center stage, offering a more substantial role compared to Miranda and Charlotte. Her forced meeting with a professional matchmaker provides ample comedic relief.

Miranda, who is the sole single character among the trio, frequents lesbian bars and engages in activities like Bi Bingo, a Love Island for bisexuals of the Z generation. Charlotte's part becomes more substantial mid-season due to a major event. However, the focus on Charlotte's dog Richard Burton's demise by Manhattan high society borders on the ridiculous, with a more engaging narrative offered by the reintroduction of "drunk Charlotte."

The season's comedic level does not match the original "Sex and the City," but it offers some classic moments reminiscent of the show's golden days. The visual extravaganza of patterned clothing may trigger nationwide seizures due to the dazzling display. Carrie's portrayal in this season continues to captivate viewers, with her new apartment and eccentric fashion choices proving to be highlights.

While "And Just Like That" does not quite equal the innovative humor and wit of "Sex and the City," the show maintains an engaging viewing experience, thanks to its charismatic cast and clever writing. The relationship dynamics and complex family situations explored in the show resonate with viewers, offering a more mature take on the lives of these iconic characters.

In the third season of "And Just Like That," the show shifts its focus from heavy-handed social issues to the arts, as Carrie Bradshaw begins writing a Victorian novel and the visual extravaganza of patterned clothing is showcased. Additionally, the season delves into the realm of movies and TV, as Miranda engages in activities like Bi Bingo and Seema Patel takes a more substantial role in the series.

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