"Verbal combat sans physical contact"
In the realm of hip-hop, Germany has carved out a unique niche with its own brand of competitive lyrical contests - battle rap. The art of "professional insulting" as introduced by Rafael Schmauch in his book, Battlerap, serves as an intriguing exploration of this dynamic scene.
German battle rap can trace its roots back to the beat scene of the 1960s in Harlem, but it wasn't until the 1980s that it began to take hold in Europe, influenced by both ethnic German and immigrant communities. One significant milestone in the development of battle rap culture was the foundation of the Battle of the Year (BOTY) in 1990 by Thomas Hergenröther, which initially focused on breakdancing battles and helped establish Germany as an early hub for hip-hop battles in Europe.
Schmauch's book delves into the growth and evolution of German battle rap, highlighting its transformation from underground clashes in the 1990s and early 2000s to highly organized events with extensive fan followings, media coverage, and digital dissemination. The book also discusses how German battle rap deals with linguistic and cultural diversity, reflecting the country’s multicultural demographics.
Currently, German battle rap is characterized by strong regional battles as well as national contests, a blend of local dialects and standard German, digital platforms like YouTube boosting its visibility, and increasing professionalization and commercial interest while maintaining roots in underground authenticity.
Battlerap also dedicates a chapter to group-targeted insults that can be homophobic, racist, or ableist, referring to them as the "elephant in the battlerap room." Schmauch, a Berlin-based author and battle rapper known as "Papi Schlauch," wrote the book with passion and enthusiasm for the genre.
Meanwhile, in the realm of mainstream hip-hop, the song "Not like Us" by Kendrick Lamar has caught on in the last twelve months, breaking all previous dimensions in the history of rap diss tracks and battles. The track targets Canadian hip-hopper Drake with harsh accusations and insults, mirroring the competitive spirit of battle rap. Lamar's performance at the Super Bowl, the world's largest live sporting event, further solidified his status as a rap powerhouse.
In conclusion, Battlerap presents German battle rap as a dynamic, culturally rich, and integral component of European hip-hop, evolving from early underground roots linked to dance and MC battles into a prominent, structured, and globally recognized scene. For those interested in experiencing battle rap live, regular tournaments of the "Future of Battlerap" format take place in Cologne and Düsseldorf.
Books like "Battlerap" offer an in-depth exploration of the evolution and diversity of German battle rap, delving into its roots in the 1990s and its growth into a professional and globally recognized form of entertainment, complete with music and digital platforms. The book also discusses the controversial aspect of group-targeted insults in battle rap, highlighting the linguistic and cultural complexities of the genre.