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Erding's Stand-Up Sensation: "Who We Become"

Erwin Pelzig's fresh comedy act "Who we become" leaves audiences at Jakobmayer spellbound.

"He resonates with me," Geri Huber from Baierbach shared after the performance. Frank-Markus Barwasser's clever humor and insightful commentary has audience members pondering yet feeling uplifted - just the antidote for an era where heavy headlines plague the morning news.

Pelzig kicks off his new show by declaring, "I didn't want to hitch a ride on the apocalypse, but I still can't help getting riled up about that orange honk from Florida's Obersalzberg." He's equally critical of Instagram influencers, who collect likes and wealth with meaningless phrases like "Hello, my loves" or "At the end of the day," often revealing the emptiness of their own existences on sunny beaches in Dubai.

His agile wordplay effortlessly transitions from politics to everyday topics, creating a dynamic program that keeps the audience captivated, without missing a beat. Despite donning the costume of the simple Franken, Pelzig's cabaret has always relied on meticulous research and philosophical evaluations, making it a notch above the ordinary.

Though Livia, the stoic therapist, occasionally interjects as a voice from off-stage, her jokes are flat, falling short of the lofty level Pelzig consistently maintains.

A Mirror to the Snowflakes and the Boomers

Pelzig takes aim at the sensitive snowflake generation, often criticized for their oversensitivity, from the perspective of the boomer generation. His cold, unblinking appraisal leaves the audience hushed - and the generation in question nodding in agreement. "That was a program highlight," Peter Bleistein from Ebersberg commented.

Warning against Financial Terrorists

Pelzig warns against financially-motivated extremists like Peter Thiel, laments farmers who fight for cheap diesel but not against the more dangerous threat of species extinction, admires the charm of gabions, pokes fun at energy-saving mental route signs, and dares to call for protest. "This show zips along with genius," Geri Huber enthuses, joining the legion of applauding spectators.

Pelzig declares, "I don't want to regurgitate the usual cabaret chatter; I'm a small gray pebble on the path of the past." But Erwin Pelzig's cabaret is anything but small—it's powerful and eye-opening. Let us hope we learn to become a little more like he advocates: a little more resilient.

Insights

Erwin Pelzig is known for his incisive and thought-provoking cabaret performances. His new show "Who we become" addresses social, political, and existential themes, focusing on personal and societal change, identity, collective conscience, and satire on current events.
Key messages in Pelzig's new show may include: We are always changing, Question your assumptions, Responsibility in times of change, and Finding humor in the human condition.
Pelzig is also critical of social media influencers and the orange honk from the Obersalzberg in Florida, among other current events. He advocates for resistance and resilience.
Pelzig's wife, Claudia, commends his ability to seamlessly transition between roles and finds the performance relevant and entertaining.

Erwin Pelzig's comedy act, "Who We Become," doesn't shy away from discussing the orange honk from Florida's Obersalzberg and the hollow presence of Instagram influencers, addressing war-and-conflicts and social-media in his commentary.
Pelzig's show, like policy-and-legislation and politics, tackles the sensitive snowflake generation from the perspective of the boomer generation, offering a mirror for both in general-news.
In an era marred by species extinction and financial terrorists like Peter Thiel, Pelzig's performance serves as a call to arms, offering entertainment and satire on crime-and-justice and sports, such as basketball and the NBA.
On the edge of politics and entertainment, Pelzig presents a dynamic program that effortlessly transitions between the everyday and the existential – leaving the audience pondering the meaning of their own lives.
Faced with heavy headlines and divisive social issues, Pelzig's cabaret is a breath of fresh air – a beacon of resilience and humor that invites the audience to question their own identity and place in policy-and-legislation and society as a whole.