Unveiled Lineup of Sanfic's Work in Progress Highlights Mythical Werewolf Tales, Reveals Pinochet's Cocaine Connection, and Celebrates an Inspirational Musical Ensemble (Exclusive)
The world of cinema is bustling with excitement as various film projects from Ibero-America are set to make their mark. One such platform showcasing this diverse range of films is the Sanfic WIP Iberoamericana.
A Glimpse into Ibero-American Cinema
Sanfic WIP Iberoamericana offers a broad spectrum of films, including first features, works from established directors, fiction, and documentaries. Among the notable entries are Roberto Doveris' psychological drama "Blood Red Nails," a potential standout at the event. Doveris, a prominent genre auteur in Latin America, weaves a chilling tale of Paola, a woman who transforms into a werewolf after being bitten by her husband. The film delves into themes of empowerment and body horror.
Another film that promises to captivate audiences is Cristobal Valenzuela's "Black Cocaine," a documentary film that portrays heinousness, embodied in Pinochet's chemist, Eugenio Berríos. The film reenacts scenes from his life and uses real-life tapes of Berríos' confessions.
Exploring Intimate Themes and Lesser-Visited Formats
The selected films explore intimate issues such as mourning and loss, as well as little-visited formats such as a musical doc-feature and the horror genre. For instance, Helena Guerra's "The Monster (or) How to Cut the Heart" delves into the psyche of a film editor who becomes obsessed with her ex-girlfriend's success and spirals towards derangement. The film features six actresses portraying three characters across two timelines.
Meanwhile, "The Night is a Farce," directed by Lucas Weglinski, follows Yá, an Indigenous girl with no memories, and Jorge, a non-binary artist, as they are declared criminals and pursue their identities through dreams and the labyrinths of São Paulo. The film centers "Indigenous, Black, and LGBTQIA+ voices."
Collaborative Projects and Innovative Documentaries
Collaborative projects also form a significant part of the Ibero-American cinematic landscape. For example, the non-profit musical organization Africa Express, co-founded by Damon Albarn, is involved in the production of the film "Africa Express." The creative documentary features 60-plus musicians, singers, and DJs from around the world rehearsing, performing, and writing a new album in just eight days. It is produced by Jonathan Davis Arakelian's Edge Films, based in Mexico City.
"Africa Express" producer Jonathan Davis Arakelian notes that they focus on producing low-cost, high-impact films with a bold tone and distinctive narrative and aesthetic style. This approach is also evident in Agustin Flores' "The Curve," a documentary that interweaves the story of Jorge Firpo, a legendary horse trainer preparing for his final race, and Flores' own grieving process following his father's suicide.
Unconventional Narratives and Dark Parables
Other films, such as "Bagman" by Esteban Trivisonno, offer unconventional narratives and dark parables. "Bagman" follows Pedro, a recovering cocaine addict who delivers illegal substances to survive. Shot in black and white, it depicts a dark parable set in an engulfing, unforgiving city.
Another unconventional film is "Machitos," directed by Jesús Rodríguez "Chiva." The film tells the story of Don Manuel, who runs for governor of New Leon and sets up a corrupt fund-raising scheme to win the election. The film explores themes of machismo and hidden resentment.
In conclusion, the Ibero-American cinematic landscape is brimming with innovative and thought-provoking films. These films not only entertain but also challenge audiences to confront societal issues and delve into the human psyche. Sanfic WIP Iberoamericana and other platforms serve as crucial avenues for showcasing these diverse and compelling works.
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