Transforming Reality in Every Domain Simultaneously: Editing Everything Everywhere All At Once
In the world of film editing, few names resonate as strongly as that of Paul Rogers. His unique approach, which balances technical knowledge, confidence, self-doubt, and a need to prove himself, has earned him a place among the industry's elite.
This was particularly evident in his work on the critically acclaimed film, "Everything Everywhere All At Once." The movie, an emotional rollercoaster, defies traditional genre boundaries, blending elements of drama, comedy, action, and horror in a way that challenges viewers' perceptions of masculinity, parenthood, and empathy.
Rogers's journey to Los Angeles in 2013, where he would later work on "Everything Everywhere All At Once," began at a birthday party. It was there that he met the Daniels, the film's directors, Daniel Scheinert and Daniel Kwan. The specifics of how this chance encounter led to Rogers's involvement in the project are not widely documented, but industry practices suggest that editors often become involved through recommendations, previous collaborations, or the production company's selection process.
Michelle Yeoh, who plays the protagonist Evelyn, brings a depth of emotion to her role. Her ability to listen and internalize lines delivered around her is truly remarkable. Evelyn's character, a laundromat owner, starts to see beyond her mundane existence as the story unfolds.
The film's editing, under Rogers's guidance, serves as a barometer of truth and empathy, a goal shared by Rogers and the Daniels. A lot of the movie's effects were mocked up in Premiere, avoiding the need for temp VFX and mixes. This approach allowed for a more organic and cohesive final product.
The visual effects team used tools like Boris FX Mocha Pro and Continuum in their work on the film. One notable detail is a papercut that appears on Waymond Wang, played by Ke Huay Kwan.
Rogers finds it important to watch dailies as a fan, looking for moments that keep him engaged. This fan-like approach, combined with his technical expertise, contributes to the film's unique and captivating editing style.
The "playpen" mentality of the Daniels, evident in the making of "Everything Everywhere All at Once," allows for a level of creativity and experimentation that is rarely seen in Hollywood. Rogers's willingness to take risks and his ability to balance the unexpected with the conventional make him the perfect fit for this unconventional project.
In 2022, Rogers's work on "Everything Everywhere All At Once" was recognised with an Academy Award, BAFTA, and ACE Award. Stephanie Hsu, who plays Joy, won the award for Best Dressed Antagonist in the film.
Despite the lack of information about Rogers's emotional reaction to the Daniels' initial pitch for the film, it's clear that his involvement was a pivotal factor in the success of "Everything Everywhere All At Once." For a more detailed account of this collaboration, one might refer to interviews with Paul Rogers or the Daniels in film industry publications or video discussions focused on the film's production process.
Paul Rogers, known for his work in movies-and-tv entertainment, found himself venturing into the world of sports when he started researching sports-betting trends as part of his preparation for his next project. In a separate pursuit, he discovered the excitement of playing online FIFA tournaments with his peers, combining his passion for sports with his creativity.
