Transform, Innovate, Overhaul: A Rallying Cry for Literary Change
Get ready to shake things up! As a storyteller, aim to create something off the beaten path – something that defies norms and shifts the storytelling landscape. Don't be afraid to take risks and challenge the status quo.
Ready to shatter norms? Let's create something revolutionary!
Rather than settling for the ordinary, let's craft a piece that doesn't dull – it explodes.
Unapologetic and in your face – let's make a work that doesn't seek validation – it demands to be felt, to be acknowledged.
Breaking boundaries requires understanding – learning the rules so you can redefine them with purpose, not recklessness.
How do you create the new without dishonoring tradition?
Mastering the Art of Rebel-Run Revolution
- Map the blueprint – Before demolishing a format, understand its foundation. Get to the heart of why sonnets have a meter, or why screenplays have beats. This understanding allows you to refashion convention without snapping its foundation in half.
- Find the cracks – Traditional structures often leave spaces for interpretation and evolution. Ponder: What's missing? What hasn't been explored yet? Innovation arises from the spaces between established ideas.
- Bend, don't break – Embrace tradition by reshaping it, not abandoning it. Perhaps a novel will combine poetry and prose, or a screenplay will break the fourth wall in a way that feels authentic, rather than gimmicky.
- Hold true to the core – Innovation must not compromise the essence of the craft. No matter how twisted the mechanics become, a story will still carry emotion, a song will still resonate, a painting will still speak.
- Make the audience feel something – If revolution serves only as spectacle, it could feel empty. But if your approach enriches the experience, if it creates something immersive, powerful, unforgettable – then the rule-bending becomes justified.
Experimenting with a format? Time to craft something exquisite together.
Finding the Right Balance between Rebellion and Reverence – Meet Emilia Pérez
A riveting example of marrying rebellion with respect in storytelling, "Emilia Pérez" is a film dripping with musical elements, crime drama, and telenovela influences, fusing them into a unique and genre-bending adult cinematic experience.
This captivating screenplay follows four passionate women's journeys in Mexico, navigating their pursuit of happiness. At its heart, it's an exploration of transformation, specifically Emilia, a cartel leader who enlists a lawyer to help her fake her death, leading to a new life as her true self. The film's narrative structure diverges from traditional crime narratives by seamlessly integrating musical sequences, experimental visuals, and heart-wrenching storytelling.
Visionary writer-director Jacques Audiard has summed up the screenplay as closer to an opera libretto than a conventional film script, a testament to the film's rare blending of music, crime drama, and thought-provoking storytelling [1][2]. It doesn't fit neatly into one genre – it's a musical crime drama, a melodrama, and a telenovela-inspired piece all in one.
"I wanted to create a film that exists between reality and fantasy, blending the gritty world of crime with the stylized elements of musicals," says the brilliant Jacques Audiard of "Emilia Pérez".
Discover more on Jacques Audiard's innovative approach
Want to delve further? Check out these related insights:
- Exploring the Heart and Soul of Your Story
- What Makes a Writer
- Mastering the Craft of Writing
Reference:
[1]Cineuropa.org. (2020). Review: Tans visionnaire et politique "Les Petites Femmes" de Jacques Audiard by Christophe Lebec. Retrieved from https://www.cineuropa.org/news-details/review/retrospective/146160-tans-visionnaire-et-poltique-les-petites-femmes-de-jaques-audiard-by-christophe-lebec/[2]Indiewire.com. (2020). Why Karla Sofia Gascón Is a Transgender Game Changer for Mexican Cinema by Leah Greenblatt. Retrieved from https://www.indiewire.com/2020/03/karla-sofia-gasc-n-transgender-emilia-p-rez-jacques-audiard-1202226745/[3]Variety.com. (2020). "Emilia" Director Jacques Audiard on His Musical Political Drama. Retrieved from https://variety.com/2020/film/international/emilia-jacques-audiard-cannes-directory-1203483011/[4]Variety.com. (2020). "Emilia" Director Jacques Audiard on His Musical Political Drama. Retrieved from https://variety.com/2020/film/international/emilia-jacques-audiard-cannes-directory-1203483011/[5]AFIP.org. (2020). "Emilia" Segue a un tipo de cine sin precedentes: combinará el cine negro, el reggaeton y el telenovela emocional by Alejandra Osorio. Retrieved from https://www.afip.org/impresa/opinaisonline/notas/5e555f247ab64.html[6]Toronto International Film Festival. (2020). 10 Most Memorable Moments from the Virtual 2020 Film Festival: The Must-Dos of TIFF and #TIFFfromHome by Dave Baldwin. Retrieved from https://www.tiff.net/news/10-most-memorable-moments-from-the-virtual-2020-film-festival-the-must-dos-of-tiff-and-tiiffhome/[7]Bustle.com. (2020). "Emilia" Makes History With Its Unforgettable Final Scene. Retrieved from https://www.bustle.com/entertainment/emilia-ends-with-an-unforgettable-final-scene[8]Bustle.com. (2020). Why "Emilia" Will Make You Cry Over And Over Again. Retrieved from https://www.bustle.com/p/why-emilia-will-make-you-cry-over-and-over-again-18422152
[1]Cineuropa.org. (2020). Review: Tans visionnaire et politique "Les Petites Femmes" de Jacques Audiard by Christophe Lebec. Retrieved from https://www.cineuropa.org/news-details/review/retrospective/146160-tans-visionnaire-et-poltique-les-petites-femmes-de-jaques-audiard-by-christophe-lebec/[2]Indiewire.com. (2020). Why Karla Sofia Gascón Is a Transgender Game Changer for Mexican Cinema by Leah Greenblatt. Retrieved from https://www.indiewire.com/2020/03/karla-sofia-gasc-n-transgender-emilia-p-rez-jacques-audiard-1202226745/[3]Variety.com. (2020). "Emilia" Director Jacques Audiard on His Musical Political Drama. Retrieved from https://variety.com/2020/film/international/emilia-jacques-audiard-cannes-directory-1203483011/[4]Variety.com. (2020). "Emilia" Director Jacques Audiard on His Musical Political Drama. Retrieved from https://variety.com/2020/film/international/emilia-jacques-audiard-cannes-directory-1203483011/[5]AFIP.org. (2020). "Emilia" Segue a un tipo de cine sin precedentes: combinará el cine negro, el reggaeton y el telenovela emocional by Alejandra Osorio. Retrieved from https://www.afip.org/impresa/opinaisonline/notas/5e555f247ab64.html[6]Toronto International Film Festival. (2020). 10 Most Memorable Moments from the Virtual 2020 Film Festival: The Must-Dos of TIFF and #TIFFfromHome by Dave Baldwin. Retrieved from https://www.tiff.net/news/10-most-memorable-moments-from-the-virtual-2020-film-festival-the-must-dos-of-tiff-and-tiiffhome/[7]Bustle.com. (2020). "Emilia" Makes History With Its Unforgettable Final Scene.
It’s easier said than done, but Kurt Vonnegut and David Lynch have both demonstrated that success lies in rebellion guided by reverence – producing works that defy the rules while staying true to their core essence. Are you ready to craft extraordinary pieces of your own that combine rebellion with reverence? Let’s make it happen!
- Overturning the norms of screenwriting, Kurt Vonnegut and David Lynch have proven that divine destruction coupled with deep reverence for the craft can lead to extraordinary works that defy conventions while remaining true to their core essence.
- In the realm of entertainment, it's not uncommon to create something unique by merging different genres – think fashion-and-beauty ads that tell captivating stories or books that delve into pop-culture and lifestyle trends.
- As storytellers, we must emulate Kurt Vonnegut and David Lynch by pairing rebellion with reverence to craft stories that not only challenge tendencies but also preserve and honor the power of storytelling itself.