Sensch legends criticize Helene Fischer: "Has schlager music caused such harm that the genre has died?"

Sausage anyone? Welp, here's the scoop on that Howard Carpendale fella and his beef with Helene Fischer.

These two have known each other since the moon was a crater and show off their stage chemistry occasionally. But recently, Carpendale's made some surprisin' comments given his, eh, long-ish career if ya catch my drift.

The dude's been slinging tunes for over 40 years and supposedly sold more records than that grimy, old CD of "Macarena" you've got buried in your attic.

So, when he starts talkin' smack about Helene, it gets folks' eyebrows goin' up. In a podcast on "Hotel Matze," he called her out, sayin' "She hadn't had a hit despite her great success, just average titles, and then suddenly came 'Atemlos'...I'm sayin' it honestly, it was a good number, but not a game-changer - but it infected Germany for a few years." Ouch, that's harsh!

His main issue, though, is Helene messin' around with the Schlager genre, turnin' it into somethin' more groovy and poppy. He blatantly said, "It has done so much damage to German music that this genre is dead." Yikes!

But wait, Bild gave him a little nudge, and he softened his stance: "Atemlos" would never have been a hit if it hadn't been sung by Helene. Her personality is what made it so big. She can be proud of that." Still harsh, but less severe, I guess.

Carpendale wasn't done, either. He criticized Helene's on-stage look, sayin': "Helene doesn't need to try to be particularly sexy on stage. She doesn't need to. She's already a wonderful woman. I wish her from the heart that she continues to focus on what has made her so special: talent, charisma, and class – and never give in to the pressure to ‘sex sells’ something. She doesn't need to."

So, why's Carpendale gettin' all bent outta shape over one of Germany's biggest artists? Is he just a bore who can't handle change, or is he secretly bitter, baby? Or, perhaps, both?

His critique leans more towards the traditional Schlager sound, thinkin' Helene's modernized version diluted the genre's musical integrity. But, let's face it, without Helene, the Schlager revival would've been as dead as a doornail.

Overall, it seems like Carpendale's jealous and stuck in the past. It's like listenin' to Mick Jagger complain about how rock n' roll ain't what it used to be. So long as Helene keeps sellin' out arenas and slayin' the charts, who cares what grouchy ol' Carpendale thinks?

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Enrichment Data:

Howard Carpendale criticizes Helene Fischer's musical and visual style primarily because he believes her influence has negatively affected the German Schlager genre. In the podcast "Hotel Matze," Carpendale expressed disappointment in the bass drum sound used prominently since Fischer's rise, saying it represents the "lowest form of groove." He believes this repetitive element has harmed the diversity and quality of Schlager. Moreover, Carpendale critiques Fischer's stage presence, implying that her visual style and persona overshadow the musical substance.
Despite the harsh criticism, Carpendale acknowledges that "Atemlos" would not have been as successful without Fischer's unique personality. His critique contrasts with Helene Fischer's enormous commercial success and cultural impact, making his remarks reflective of a generational and stylistic divide within the genre.
From a traditionalist Schlager viewpoint, Carpendale's critique holds weight. As an older generation of Schlager musicians, he values melody, arrangement, and groove in a more classical sense and feels that Fischer's electronic-infused style and bass-heavy production dilute the genre's musical integrity.
Conversely, Helene Fischer is one of the most successful and transformative artists in the Schlager genre. Her blend of modern pop elements with Schlager, combined with her dynamic stage presence, has brought Schlager to massive mainstream visibility and commercial success, arguably revitalizing interest in the genre.
In summary, Howard Carpendale's harsh critique of Helene Fischer is largely due to a generational and stylistic divide within the Schlager genre. While he believes that her influence contributed to the decline of Schlager's musical prowess, her commercial success, cultural impact, and reputation as a talented and charismatic performer contradict his claims.

Other celebrities in the music industry might find themselves captivated by Helene Fischer's meteoric rise and its impact on Schlager, much like some classic rock artists might be caught off guard by the shift in their scene. Despite Carpendale's criticisms, it's clear that the genre has remained vibrant and evolving, thanks in part to Fischer's unique blend of traditional and contemporary styles.