Skip to content

Sanremo 2025: The Closing Acts

Last night's performances received all their respective votes and judging decisions, ranging from Francesca Michielin to Sarah Toscano.

Sanremo 2025's Closing Act
Sanremo 2025's Closing Act

Sanremo 2025: The Closing Acts

In the heart of Italy's music scene, the 75th Italian Song Festival played host to a variety of talented artists, each bringing their unique style and flair to the stage.

One such performer was Bresh, who demonstrated his talent and taste with a captivating performance of "The Crab's Lair". His rendition scored 6.5, indicating a positive response from the audience. Interestingly, the melody was presented by Giovanni Truppi, born on February 28, 1981.

Another notable act was Willie Peyote, who offered a mix of urban and bossa nova with a satirical view of contemporaneity. His performance of "Thanks but No Thanks" scored 7, suggesting a well-received performance that resonated with the audience.

However, the response towards Francesca Michielin's performance was rather indifferent. Michielin, who started at X Factor with immense potential, performed "Mud in Paradise" scoring 5. Her music style, a contemporary pop that leans towards classic Sanremo, was a departure from her usual repertoire.

Meanwhile, Marcella Bella's performance at the festival was a bold move. She performed "Diamond Skin", though no scoring information was provided. The audience's response towards her performance remains unclear.

It's worth noting that Bresh's music style in his performance was a mix of urban and pop, a direction that not all urban artists can successfully navigate while maintaining credibility. His performance was well-received, indicating that he pulled it off with panache.

Unfortunately, no prior context was provided regarding the careers or previous performances of Bresh, Marcella Bella, or other artists. Similarly, no information was provided about Willie Peyote's usual performance style or any potential connections between Bresh and Marcella Bella and their performances at the festival.

In conclusion, the 75th Italian Song Festival was a platform for diverse talent, showcasing a range of music styles and performances. Whether it was the energetic beats of Bresh, the satirical tones of Willie Peyote, or the contemporary pop of Francesca Michielin, the festival provided a stage for artists to express themselves and connect with their audience.

Latest