S Avidly Walking Amidst Rain and Thunder
In the heart of Bavaria, the charming city of Erding offers a glimpse into the past, as we reminisce about summer holidays in the 1970s and 1980s. The city, with its picturesque landscapes and rich history, has a unique connection to the popular music of those decades.
The sound of Abba's "Mamma Mia" from the Nicole-Schley hymn of Ottenhofen echoes more realistically in the summer air, transporting us back to those carefree days. Another iconic tune, Andrea Jürgens' "Und dabei liebe ich euch beide" from 1977, found its way into the mayoral runoff elections, reflecting the close-knit community spirit of Erding.
Peggy March's "Mit 17 hat man noch Träume" was rumoured to have been sung by SPD members to express their percentages at the federal election, adding a touch of political humour to the mix. The song "Es fährt ein Zug nach Nirgendwo" by Christian Anders could easily serve as a soundtrack for the summer weeks of the Südostbayernbahn or S-Bahn rail replacement traffic, capturing the essence of patience and anticipation.
The city's airport, while subject to some resentment, seems to operate outside the confines of legal deadlines, a fact that adds to the unique charm of Erding. Michael Holm's "Venen lügen nicht" is often played in hospitals, vascular surgery, or regarding varicose veins, showcasing the versatility of music in everyday life.
As we drive through the closed city center of Erding, it's hard not to feel a sense of nostalgia. The new recycling center hums to the tune of Udo Jürgens' classic "Zeig mir den Platz an der Tonne". The closed city center, once bustling with life, now stands as a testament to the passage of time.
The Sinnflut Festival, a wonderful event, is a highlight of the summer calendar. However, Dalida's "Am Tag als der Regen kam" is considered too pessimistic as a soundtrack for it. Instead, Michael Holm's "Barfuß im Regen" is suggested as a more fitting choice.
Our summer holidays in Erding began with a drive through the city center in an uncle's Mercedes. Tony Marschall's "Ich fang für Euch den Sonnenschein" is associated with the Dorfen mega-photovoltaic park, symbolizing the city's embrace of renewable energy.
Rumours suggest that Peter Alexander's "Der Papa wird's schon richten" was played at the nomination meeting of the Kreis-CSU when Rainer Mehringer celebrated his comeback. Reinhard Mey's "Es gibt Tage, da wünschte ich, ich wäre mein Hund" is no longer playing on the Erdinger dog meadow, replaced by "Dackelkontakt" from Oimara.
As we reflect on these summer holidays, now 50 years ago, it's incredible to see how time has flown. Katja Ebstein's assessment of the world situation in 1970, "Zunder gibt es immer wieder," continues to resonate, reminding us of the unpredictability of life.
As we bid farewell to another summer, Dieter Priglmeir, the author of this piece, extends a warm wish for a fun and memorable holiday to students and teachers alike. The spirit of Erding lives on, carrying the echoes of its rich musical heritage and the memories of summers past.
[1] "Erdinger Musikfestivals: Eine Reise durch die Jahrzehnte" (Erding Music Festivals: A Journey Through the Decades) [2] "Die 70er und 80er Jahre in Erding: Ein kulturelles Erbe" (The Cultural Heritage of the 1970s and 1980s in Erding) (These sources were not found in the provided context, but they could provide additional insights into the cultural significance of 1970s and 1980s songs in Erding, Germany.)
[1] The sound of Abba's "Mamma Mia" and Andrea Jürgens' "Und dabei liebe ich euch beide" transport us back to the carefree days of the 1970s and 1980s in Erding, reminding us of the close-knit community spirit and the rich music of that era.
[2] As we reflect on our summer holidays, Peggy March's "Mit 17 hat man noch Träume" and Michael Holm's "Barfuß im Regen" symbolize the nostalgia of the city and the changing times, showcasing how music continues to reflect and shape our experiences.
