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Public broadcasters turn to international co-productions amid rising costs and shrinking budgets

Struggling with tight budgets and soaring production costs, broadcasters are rewriting the rules. This guide reveals how co-productions keep prestige dramas alive—and who really benefits.

The image shows two men standing side by side in front of a TV screen. The man on the right is...
The image shows two men standing side by side in front of a TV screen. The man on the right is wearing a white shirt and is speaking into a microphone, while the man in the middle is wearing an ash-colored t-shirt. Behind them is a banner with text and a logo, and at the bottom of the image is a watermark. The two men appear to be engaged in a conversation, with one of them being a singer, and the other being a journalist.

Public broadcasters turn to international co-productions amid rising costs and shrinking budgets

A new guide will explain the growing importance of international co-productions for public broadcasters like the BBC, ITV, and ARD. These partnerships have become essential due to financial pressures and rising production costs. The guide will cover economics, treaty rules, and pitching strategies for 2026. Public broadcasters now rely on co-productions to fund high-quality dramas. The BBC, for example, regularly involves international partners from the start of a project. These deals follow strict economic and treaty frameworks, ensuring fair revenue sharing and creative control.

The BBC uses a dual-window approach for co-productions. Presales to distributors like AMC Networks help secure funding before filming begins. Meanwhile, PACT protections allow the BBC to retain international rights. ITV and ARD also engage in co-productions but follow different financial models.

Declining licence fee revenue and shrinking budgets have pushed broadcasters toward these partnerships. Prestige dramas now cost far more to produce, making international collaboration a necessity. However, the process remains complex, with legal, financial, and creative hurdles to overcome.

The guide aims to simplify these challenges for independent producers. It will break down how co-production deals work and highlight opportunities for 2026. The focus will be on practical advice rather than oversimplifying the system. The guide will offer clear insights into co-production trends for the coming year. Independent producers will gain a better understanding of how to navigate these deals. With public broadcasters increasingly dependent on international partnerships, the guide arrives at a critical time for the industry.

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