"Police Force in Cannes Investigation File 137"
Cannes Day Two: Diving into the GrittyDossier 137
Day two at Cannes and the buzz is all about Dossier 137, directed by Dominik Moll. Catchy title, huh? This bad boy is bound to leave a mark, just like Moll's initial masterpiece, Harry, He's a Friend, back in 2000. That flick, with its twisted plotlines and a shower of Cesars, was a game-changer, and Moll hasn't stopped impressing since.
But let's get back to Dossier 137. Set amidst the fiery backdrop of France's 2018 Yellow Vest protests, this film follows the journey of Stéphanie, played by the talented Léa Drucker. She's no ordinary cop; she's an officer in France’s Internal Affairs unit, tasked with investigating police misconduct. Her target? Identifying the police in the anti-terrorist brigade who shot a young protester named Guillaume in the face with a riot gun. The blast left him with life-altering brain damage.
The film's narrative is all about Stéphanie's uphill battle, navigating the denial and public image that comes with being in the police force—especially following their role in the 2015 Bataclan siege. This gritty police drama maintains a sober, methodical tone, focusing on Stéphanie's procedural investigation rather than sensationalism, using real archival footage from the protests for added authenticity.
Dossier 137 is shaping up to be a powerhouse at Cannes. It marks Moll's return to Cannes' main competition since his 2005 film, Lemming. With its timely subject matter, Stéphanie's emotional journey, and a focus on social and political issues, this film promises to pack a punch. Critics are already raving about Léa Drucker's performance as a central piece of the film's impact.
In short, Dossier 137 is more than just a police drama; it's a character-driven investigation into institutional accountability, elevated by Moll's directorial skills, Drucker's spectacular performance, and its thoughtful exploration of contemporary issues.
And if you're not already hooked, guess who made a comeback at Cannes? None other than Dominik Moll, proving that even after a long dry spell, he's still got that artistic fire burning!
François Levesque is in Cannes by invitation of the Festival and with the support of Telefilm Canada.
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The gritty police drama, Dossier 137, not only delves into political issues but also promises to captivate audiences in the world of movies-and-tv, showcasing Dominik Moll's exceptional directorial skills once again. As the film explores contemporary social and political matters, it aligns with recent news pieces discussing the impact of political events in Quebec and beyond.
