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Pakistani politician Nabil Gabol denies Dhurandhar gangster parallels amid film's cross-border acclaim

A blockbuster film blurs fiction and reality, angering a Lyari leader. Why is Dhurandhar's success in India fueling outrage in Pakistan?

The image shows Imran Khan, the Prime Minister of Pakistan, wearing a black and white dress against...
The image shows Imran Khan, the Prime Minister of Pakistan, wearing a black and white dress against a purple background.

Pakistani politician Nabil Gabol denies Dhurandhar gangster parallels amid film's cross-border acclaim

The release of Dhurandhar: The Revenge has reignited discussions about its fictional gangster-politician, Jameel Jamali. Many viewers speculate that the character draws inspiration from Nabil Gabol, a well-known Pakistani politician from Lyari, Karachi. Gabol has now spoken out against the portrayal, calling it a misrepresentation of his life and the area's culture.

The film has also gained significant attention in India, where actors like Alia Bhatt, Kartik Aaryan, and Allu Arjun have praised its storytelling and performances.

Nabil Gabol, a senior figure in the Pakistan Peoples Party (PPP), was a dominant presence in Lyari during the 2000s and 2010s. His political career was often linked to local gang conflicts, alleged connections with criminal networks—including those tied to Uzair Baloch—and displays of street power. Reports from that era describe violent turf battles and the use of muscle power to mobilise political support. These elements appear to have influenced the ruthless on-screen persona of Jameel Jamali.

Gabol has strongly rejected the film's depiction. He insists his time in Lyari was defined by peacekeeping and mediation, not the brutality shown in Dhurandhar. In recent statements, he expressed disappointment, arguing that the character fails to capture his real-life efforts or the cultural fabric of the neighbourhood.

Meanwhile, the film continues to draw acclaim across the border. Indian celebrities have publicly commended its bold narrative, with many highlighting its gripping portrayal of power and crime. The debate over its real-world parallels, however, remains a talking point among audiences in both countries.

Gabol's response underscores the gap between fiction and reality in Dhurandhar's storytelling. The film's success in India contrasts with the controversy it has sparked in Pakistan, particularly among those who recognise Lyari's complex history. For now, the discussion around Jameel Jamali's origins—and whether they align with Gabol's political legacy—shows no signs of fading.

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