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Munich's Polizeiruf 110 Unravels a Twisted Tale of Confessions and Doubt

A body in the Isar Canal reopens a closed case—but is the real killer still free? A lawyer's meddling forces Munich's detectives to question everything.

The image shows an old map of the city of Munich, Germany, with a black background. The map is...
The image shows an old map of the city of Munich, Germany, with a black background. The map is detailed and shows the streets, buildings, and other landmarks of the area. The text on the paper provides additional information about the map, such as the names of the streets and landmarks.

How the new 'Police Call 110' from Munich will be - Munich's Polizeiruf 110 Unravels a Twisted Tale of Confessions and Doubt

A new episode of Polizeiruf 110, titled Ablass (Indulgence), premiered in Munich on March 15, 2026. The story kicks off with the grim discovery of a young woman's body in the Isar Canal. At first glance, the case seems closed—someone was already convicted—but fresh evidence soon casts doubt on the confession.

The film weaves together legal drama and crime investigation, with lawyer August Schellenberg at its centre. Played by Tobias Moretti, Schellenberg represents wealthy clients while exposing cracks in their seemingly airtight alibis and confessions. His involvement in two linked cases raises unsettling questions about justice and truth.

The case begins when the body of a young woman surfaces in Munich's Isar Canal. Authorities initially believe the crime is solved: a convict had confessed to dismembering the victim. Yet the body is found almost intact, contradicting the earlier account. Detective Blohm, portrayed by Sandra Wokalek, grows suspicious of the confession's validity.

Before Blohm can dig deeper, a second death occurs—and another confession follows. Both cases share a common thread: August Schellenberg, a high-profile lawyer known for defending elite clients. Schellenberg, charismatic but enigmatic, challenges the official narratives, revealing inconsistencies in the confessions. His clients include Léon Kamara, accused of murder and rape, and Victor Reisinger, charged with a hit-and-run. The film contrasts two stark realities. One world is marked by desperation, where people appear to have nothing left to lose. The other thrives on privilege, where wealth and polished appearances mask deeper truths. Detective Blohm refuses to accept easy answers, while Schellenberg's interventions expose the tension between legal facades and investigative scepticism. Supporting performances by Wokalek and co-star Johannes Zinner ground the story. Their characters navigate a script rich in contradictions, where what's officially accepted rarely aligns with what lies beneath. The film's strength lies in its realistic portrayals and scenes that keep viewers questioning every twist.

The episode leaves audiences with unresolved tensions between confession and evidence. The lawyer's role in both cases underscores the fragility of legal certainty. Meanwhile, Detective Blohm's persistence suggests that the truth may still emerge—even when powerful forces prefer it stay buried.

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