"Man of Steel, Superman, earns $122 million in debut weekend"
The highly anticipated 2025 reboot of the iconic superhero, **Superman**, starring **David Corenswet**, has made a spectacular debut. Directed by James Gunn, this fresh take on the Man of Steel has captivated audiences and broken box office records.
The movie opened with an estimated $122 million in North America this weekend, making it the third biggest opening weekend of the year, following 'A Minecraft Movie' and 'Lilo & Stitch'. This impressive start also marks the first DC title to surpass $100 million in its opening weekend in North America since 'Wonder Woman' in 2017[1].
In addition to its domestic success, 'Superman' has also made a strong impact internationally, grossing $95 million in 78 markets. However, it collected just $6.6 million in China, which is a notable contrast to the film's overall performance[2].
Meanwhile, other films released this weekend struggled to compete. 'Jurassic World Rebirth', which had a massive $147.3 million opening over the extended five-day July 4 weekend, took in $40 million for second place this weekend. 'Mission: Impossible - The Final Reckoning' grossed $1.45 million, while 'Materialists', '28 Years Later', 'M3GAN 2.0', 'Elio', and 'How to Train Your Dragon' all reported lower earnings[3].
'Superman' deviates from previous adaptations by taking a lighter, less grim approach. The film skips the traditional origin story and delves straight into action, focusing on Superman's struggle to reconcile his alien Kryptonian heritage with his human upbringing as reporter Clark Kent. The film portrays Superman as a somewhat naive but earnest and impulsive hero trying to embody truth, justice, and hope in a world that often views those ideals as outdated[4].
The plot revolves around Superman facing the aftermath of attempting to stop a war between two fictional countries, with an impending natural disaster and the machinations of a wealthy, arrogant tech billionaire, hinted to be Lex Luthor (Nicholas Hoult), adding to the intrigue[1][3]. Lois Lane (Rachel Brosnahan) plays Superman’s on-and-off girlfriend who acts as a grounded, savvy foil to his sometimes reckless actions. The film also features Superman’s dog, Krypto, who adds a humorous, heartfelt element as they share a similar impulsive nature[1][3].
Critics have praised the film for moving away from the darker tones of recent adaptations and bringing back humor, compassion, and relatability. David Corenswet’s performance has been highlighted as empathetic and charming, capturing Superman’s essential contradictions: earnestness, naivety, and vulnerability. However, some reviews note that his portrayal sometimes makes the character seem dazed or overwhelmed, which is part of the film's intent to modernize Superman’s persona for the 21st century[1][4].
James Gunn’s direction is noted for blending pop culture appeal with deeper themes, moving the character away from solemn solemnity toward a more accessible and humanized hero. The playful inclusion of Krypto adds to the film’s charm, helping it stand out in the saturated superhero genre. Lois Lane's character, dressed in distinctive 1970s-inspired fashion, balances the narrative by questioning Superman’s methods and the consequences of his actions[1][3].
As 'Superman' continues its impressive run at the box office, audiences and critics alike are praising this vibrant, unpredictable, and emotionally resonant take on the Man of Steel[1][2][3][4].
[1] The Hollywood Reporter, "Superman Soars to $122 Million North American Opening" [2] Variety, "Superman Falls Short in China but Dominates North America" [3] Deadline, "Superman Leads Weekend Box Office with Estimated $122 Million" [4] Empire, "Superman Review: A Fresh, Modern Take on the Man of Steel"
Movies-and-TV such as 'Superman' and 'A Minecraft Movie' have dominated the box office this year, breaking records and captivating audiences with their engaging stories and compelling characters. Entertainment industries continue to push boundaries, delivering refreshing and unconventional narratives in the entertainment sector.
