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Live Storytelling: Making Tales Captivating Both Live and On Camera, According to Nicoline Refsing

Live performance discussion at Prolight + Sound as Nicoline Refsing addressed Eurovision Song Contest distinctions between live broadcasts and ceremonies at Eventplaza.

Live Storytelling Versus Screen Tales, According to Nicoline Refsing
Live Storytelling Versus Screen Tales, According to Nicoline Refsing

Live Storytelling: Making Tales Captivating Both Live and On Camera, According to Nicoline Refsing

In May 2014, the Eurovision Song Contest, a beloved European music event, took centre stage in Copenhagen, Denmark. With millions of viewers tuning in, the contest was a resounding success, thanks in part to the creative direction and production skills of Nicoline Refsing.

As the founder and creative head of Rockart Design, Refsing led a team responsible for delivering creative direction, screen content, and smaller sets for the 37 participating countries. Her role as Creative Director and Content Producer for the event has left a lasting impact on the contest's visual identity and production.

Refsing's responsibilities encompassed various aspects of the production, from conceptual development to show direction. She was involved in creating the overall theme and visual identity of the event, overseeing the design of the stage and its technical implementation, developing and producing content such as intros, interludes, and interval acts, and directing the show to ensure it unfolded smoothly and according to plan.

One of the most memorable moments from the 2014 contest was the victory of Conchita Wurst, an Austrian bearded drag queen, who won with the song "Rise Like a Phoenix." Refsing's team worked closely with Wurst and her team to ensure her performance was well-integrated into the event.

In addition to her work on the Eurovision Song Contest, Refsing has spoken at various events and in interviews about her inspirations and the differences between live shows and award shows. Her insights offer a unique perspective on the world of television production and the creative process behind some of Europe's most popular events.

While specific details about Refsing's role during the 2014 Eurovision Song Contest may not be widely documented, her contributions to the event are undeniable. For those interested in learning more about her work, consulting official Eurovision materials or interviews related to the event would be beneficial.

Movies-and-TV and entertainment were integral parts of Refsing's professional world. She not only served as the Creative Director and Content Producer for the Eurovision Song Contest but also shared her insights about the creative process behind such events in various public speaking engagements and interviews.

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