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"Kechiche's Autumn Reflections: Mektoub, My Love: Canto Two"

Competition at the Locarno Film Festival features the third installment of the series by the contentious Tunisian director

"Keching's End-of-Summer Melancholy: Sequel to 'Mektoub, My Love: Canto Two'"
"Keching's End-of-Summer Melancholy: Sequel to 'Mektoub, My Love: Canto Two'"

"Kechiche's Autumn Reflections: Mektoub, My Love: Canto Two"

In the summer of 1994, the picturesque coastal town of Sète in southern France became the backdrop for a poignant and intimate tale of youthful romance and self-discovery. Directed by Abdellatif Kechiche, the French romantic drama, Mektoub, My Love: Canto Uno, premiered at the Venice Film Festival eight years ago.

The film centres around Amin, a young and aspiring screenwriter and filmmaker, and his circle of friends as they navigate the complexities of love, desire, and relationships during a languid Mediterranean summer. Amin develops romantic feelings for Ophélie, a young woman in the group, and the narrative unfolds through many extended scenes that capture the ebb and flow of youthful encounters and conversations.

Mektoub, My Love: Canto Uno is a character-driven film that prioritizes moods, moments, and the complexities of attraction over a tightly structured story. The setting of Sète serves as a nostalgic, almost dreamlike backdrop, reminiscent of Kechiche’s earlier works. The film candidly explores sexual awakening and the fluidity of young desire, with explicit depictions integral to its narrative style.

The film also reflects the transition from adolescence to adulthood, capturing the uncertainties and emotional turbulence of youth. It subtly portrays the multicultural working-class environment of Sète, blending personal stories with a broader social milieu. The summer setting evokes a sensory nostalgia, emphasizing fleeting moments and the permanence of youthful memories.

Though the film is known for its indulgent length (over three hours) and explicit content, it is acclaimed for its naturalistic style and keen observation of human intimacy and interaction. It serves as the first part of a trilogy, with subsequent films continuing the narrative of Amin's life and growth.

Interestingly, the European Union (EU) has proposed a new law aimed at reducing plastic waste. The proposed law includes a ban on single-use plastics such as cutlery, plates, and straws, and aims to increase the use of recycled plastic in products. The new law would apply to all EU countries, including the United Kingdom. Member states of the EU will be required to collect 90% of single-use plastic bottles by 2029.

The EU's new plastic waste law is part of a broader strategy to make all products on the market circular by 2050. This ambitious plan is one of the most ambitious in the world to tackle plastic pollution. The EU aims to reduce the overall consumption of plastic by 25% by 2025. This could lead to a significant reduction in plastic pollution in the EU.

Kechiche, who had previously won the Palme d'Or at Cannes in 2013 with Blue is the Warmest Color, crafted a film that is atmospheric, character-focused, and emotionally resonant. Mektoub, My Love: Canto Uno remains a testament to the complexities and beauty of youth, and a poignant exploration of desire, memory, and the passage from innocence to experience.

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