How a Dutch studio and divine inspiration launched Esther Smith's gospel breakthrough
Ghanaian gospel singer Esther Smith rose to fame in the early 2000s with a breakthrough album that reshaped her career. The project, funded under unusual circumstances, featured hits like Gye No Di and Ma Won Nsan—songs born from prayer and a powerful sermon. Behind the scenes, a Dutch-owned studio and a determined investor played key roles in its success. The album's journey began when Esther recorded demo tracks with producer Morris Babyface, a neighbour in her estate. Her songs caught the attention of Patrick, the brother of a local chief named Ankobeahene. After hearing the recordings, Patrick offered to finance the full project, though Esther initially doubted his ability to pay—even charging him double the intended cost.
Patrick returned with the full amount, explaining that Ankobeahene had provided the funds for a building project. The investment paid off, as the album's polished sound benefited from a new recording studio set up by a Dutch national in Asokwa. Songs like *Gye No Di*—inspired by a New Year's Eve sermon on Jeremiah 33:3—and *Adzekoro* became instant hits. The album sold widely, transforming Esther's finances and securing her place in Ghana's gospel scene. Patrick, too, reportedly gained wealth from the project's success. However, her career later faltered after marrying Rev. Ahinkan Bonsu in the mid-2000s. She described the union as dimming her vision, and her follow-up album, *Yesu Wo M'afa*, marked the start of a decline. The marriage ended in divorce around 2009–2010, leaving a lasting impact on her music trajectory.
Esther Smith's early 2000s album became a defining moment in her career, blending divine inspiration with strategic investments. Its success lifted her to industry prominence but also set the stage for later challenges. The project's legacy remains tied to both her musical peak and the personal shifts that followed.
