"German Philharmonic Orchestra's conductor, Jan Willem de Vriend, is associated with pianist Emilie Mayer"
In the world of art and music, two intriguing developments have caught the attention of enthusiasts. On one hand, a new work titled "On All Fours: Sexual Liberation" by Flora Fishbach delves into the theme of sexual liberation, offering an exhilarating inner journey of a 45-year-old woman. On the other hand, Emilie Mayer's symphonies, a significant part of musical history, have been given a fresh look in 2022.
Flora Fishbach, a person not associated with symphony composition, has returned with her latest creation. "On All Fours: Sexual Liberation" is not a symphony but a work that tells a compelling story, with Miranda July at the helm. This work is not related to Emilie Mayer's symphonies, which have been the subject of a significant rediscovery in 2020.
Emilie Mayer's symphonies, particularly the third volume that includes the Symphonies No. 4 and 6, have been meticulously reconstructed in 2022 by Alexander Tarkmann. This new reconstruction of the Symphonies No. 4 is considered to surpass the previous work by Malzew, with Tarkmann's direction being praised for its ardent and precise execution. Michael Balke, conducting the MDR Symphony Orchestra, led these new recordings as part of the Musiksommer Wernigerode.
While the 4th Symphony is considered the "highlight" of the CD, it's important to note that the 6th Symphony is another interesting addition to the cycle. Jan Willem de Vriend's direction in the 6th Symphony is commendable, making the previous recording by Marc Niemann seem obsolete. However, it's not specifically mentioned as the "highlight" of the CD.
As for the Symphonies No. 5 and 8, they remain a bit of a mystery. CPO has not provided any indication about a reconstruction project for these symphonies, as they face source problems, making their future uncertain.
In conclusion, the artistic landscape is vibrant with these new developments. Flora Fishbach's "On All Fours: Sexual Liberation" offers a unique perspective on sexual liberation, while Emilie Mayer's symphonies get a fresh lease of life with Alexander Tarkmann's meticulous reconstructions.
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