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In the gripping world of Squid Game, a popular South Korean series, broken family dynamics play a significant role in driving the narrative and capturing the audience's attention. The series, now in its second season, uses these complex relationships to explore universal themes of loss, trauma, and the human condition.
At the heart of the story is Gi-Hun, a degenerate gambler living with his mother after being estranged from his wife. His desperate struggle to save his daughter from potential migration to the States adds an urgent layer to his participation in the deadly games. Similarly, Geum-Ja, a new character in Season 2, joins the games without her son's knowledge, driven by a desire to support or save him from crippling debts.
The series also delves into the pursuit of long-lost family members. Policeman Jun-Ho's relentless quest for his brother In-Ho, the Front Man of the games, is an arc carried forward from the first season. Meanwhile, No-Eul, a character in Season 2, is a North Korean defector traumatized by the loss of her family, risking her life to help a participant with a cancer-stricken child in the games.
According to Freudian theory, these broken family dynamics are prevalent in popular media because they reflect and explore inherent psychological conflicts and desires that are central to human development. Freud's Oedipus Complex theory suggests that children develop unconscious desires for the parent of the opposite sex, while feeling rivalry towards the parent of the same sex. Stories that depict unresolved conflicts or distortions of this complex can capture audiences' attention by tapping into deep-seated psychological themes.
Moreover, the conflicts and desires inherent in family dynamics are universal and relatable, making them a compelling subject for media. By exploring these themes, media can engage audiences on a deeper level, allowing viewers to reflect on their own experiences and emotions.
Broken family dynamics also introduce psychological tension and conflict, which are essential elements for storytelling. This tension often drives plot development and character evolution, making narratives more engaging and emotionally resonant. Furthermore, media can use these dynamics to explore human nature, revealing complexities and contradictions that resonate with audiences.
As we navigate through the series, it's clear that Squid Game uses children's games as a metaphor for reflecting trauma and breakdown in modern family life. It's a poignant reminder that, despite our efforts to grow up and leave behind our childhood traumas, they remain a part of us, shaping our experiences and relationships.
In the end, it's worth reflecting on the requirement of broken families in successful movies. While it may seem grim, these narratives provide a mirror for viewers to examine their own lives, offering a sense of catharsis and understanding. As the columnist opines, we are a long way from A Little House On The Prairie, and it's unlikely we'll return to those simpler times anytime soon.
[1] Freud, S. (1900). The Interpretation of Dreams. [2] Freud, S. (1933). New Introductory Lectures on Psycho-Analysis.
- Despite the popular South Korean series Squid Game being centered around deadly games, its focus on broken family dynamics is a reflection of universal psychological conflicts, as suggested by Sigmund Freud's theories in 'The Interpretation of Dreams' and 'New Introductory Lectures on Psycho-Analysis'.
- In exploring themes of family conflict and desire, entertainment like Squid Game engages audiences on a deeper level, allowing viewers to reflect on their own lives and experiences, as is often the case in movies that delve into pop-culture and news-worthy topics.
- The portrayal of broken family dynamics in movies can serve as a mirror for viewers, providing a sense of catharsis and understanding, even as we grapple with the complexities and contradictions of human nature in the face of health challenges, loss, and the human condition, as depicted in series like Squid Game and other forms of entertainment.
