Frank Auerbach's 'Head of J.Y.M. II' Captivates with Sensual Abstraction
Frank Auerbach, a renowned British artist, has captivated admirers like Emily Howes with his unique relationship with paint and technique. Born in Berlin in 1931, Auerbach's work, such as 'Head of J.Y.M. II, 1984-1985', sits on the border between figuration and abstraction, offering a sensual and viscous exploration of form.
Auerbach's artistic journey began under the tutelage of David Bomberg at St Martin's School of Art, where he also met Leon Kossoff. His technique, honed over years of dedicated sittings, often resulted in non-material likenesses, as seen in 'Head of J.Y.M. II, 1984-1985'. This painting, of professional artist's model Juliet Yardley Mills, showcases Auerbach's method of scraping off paint at the end of each sitting if it hadn't resolved, a testament to his relentless pursuit of perfection.
Emily Howes, author of 'The Painter's Daughters', finds a melancholic beauty in Auerbach's work. She appreciates the 'slide and shift of the paint', the 'viscosity and sensuality' that Auerbach's technique brings to life. The painting, which straddles the line between representation and abstraction, is a prime example of Auerbach's ability to evoke emotion through his art.
Auerbach's 'Head of J.Y.M. II, 1984-1985' stands as a testament to his dedication, technique, and ability to captivate viewers. Despite the challenges of his early life, including his parents' death in the Holocaust, Auerbach has left an indelible mark on the art world, with admirers like Emily Howes continuing to appreciate his unique artistic vision.
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