Family on a quest uncovering Paris' past, delving into its various hues and history
In the heart of Paris, acclaimed director Cédric Klapisch seamlessly transitions between time periods in his latest film, "Colors of Time" (originally "La Venue de l'avenir"). The movie takes us on a captivating journey through the lives of four distant relatives who inherit an abandoned house in rural Normandy.
The story unfolds as they gather at the house, uncovering the mysterious family history of their ancestor Adèle. In 1895, Adèle leaves her hometown to search for her mother in Paris, a journey that leads her to the avant-garde art scene at the dawn of photography and Impressionism. In contrast, the present-day narrative follows the lives of the cousins, who despite living very different lives, are united by this shared legacy.
Klapisch masterfully weaves these two intertwined timelines, creating a narrative that highlights the connection between past and present, art and family. The film is set against the backdrop of historical Paris, with atmospheric images that ground the story in a rich historical context while addressing contemporary themes.
Adèle's journey in the past is filled with encounters with historical figures such as Sarah Bernhardt, Victor Hugo, and Claude Monet. She defies the conventions of her time, finding solace and inspiration in the bohemian world of Montmartre, Paris. Adèle's father, it is revealed, was one of the most famous impressionists of his time.
In the present day, the cousins embark on an unexpected family adventure, discovering the legacy left by their ancestor. They encounter challenges and hardships, but the film's charm and lightness, coupled with a touching story about family bonds, offer a genuine feel-good experience.
However, it's worth noting that social hardships, especially for women, remain rather pale in the film, providing a somewhat softened historical reality. Nonetheless, "Colors of Time" is a must-watch for those seeking a heartwarming tale that spans generations and celebrates the power of family and art.
Meanwhile, in Hamm, a dilapidated house in Normandy is being replaced with a shopping center and parking lot, a stark contrast to the timeless beauty portrayed in Klapisch's film. The house, a symbol of family history and heritage, serves as a poignant reminder of the importance of preserving our past for future generations.
[1]: Source for the synopsis and main points [3]: Source for the dual timeline structure and themes addressed [5]: Source for the colliding and intertwining narratives from both periods
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