"Exploring the Evolution of Sound: Melodies Evoke Melancholy"
In the world of cinema and television, a harmonious melody of captivating stories is being woven, each note resonating with the power of music.
Firstly, let's delve into "The History of Sound" (L'histoire du son), a film directed by Oliver Hermanus. Set from 1910 to the end of the 1920s, this competition entry at Cannes tells an impossible love story between characters Paul Mescal (as Lionel) and Josh O'Connor (as David). Their love is not explicitly verbalized but is beautifully expressed through romantic ballads and complaints. The film's first act is an odyssey through New England, where Lionel assists David in collecting and recording folk songs on wax rolls.
Josh O'Connor's performance as David, a character with a unique ability to identify the note that corresponds to each sound he hears, allows him to cultivate a certain mystery. His role in the film has been met with critical acclaim, following his highly praised performance in "God's Own Country" (Only the Earth).
The film's style has an austere magnificence and a poetry without affectation. Each shot seduces the eye and expresses something, never being overdone. The screenplay is based on a prize-winning story by Ben Shattuck.
Meanwhile, in the realm of television, Canadian production "It's Not the Bruise, It's the Concealment" is a compelling watch. Writer and director Lisa Jackson has crafted a thought-provoking narrative that delves into the complexities of human relationships.
On the small screen this fall, a link between musicotherapy and Alzheimer's disease will be explored. Two productions from France Beaudoin and Gregory Charles promise to delve deep into the power of music on memory.
Elsewhere, the art world has been abuzz with news about Malenfant's bid for SAAQclic. Supposedly submitted in a locked bunker, the details of this bid remain shrouded in mystery.
In a separate development, the former vice-president of technologies has stated he hadn't seen the bids. This statement, however, has not deterred the ongoing discussions and speculations.
The film's end moved the reviewer to tears, a testament to its emotional depth and impact. In a world where the power of music is often underestimated, "The History of Sound" serves as a poignant reminder of its transformative potential.
Lastly, the cultural magazine, the DMag, remains an enigma, with no information provided about its involvement in these captivating stories. As these stories continue to unfold, we eagerly await more revelations and the symphony of stories that await us in the future.
