Exploration of Social Rank and Self-image: A Fresh Georgian Production of Gogol's "The Nose"
In the heart of Tbilisi, Georgia, "The Nose" premiered at Theatre Factory 42 in March 2025, marking a significant addition to the city's theatrical landscape. Directed by Levan Tsuladze, this sharp, surreal satire has since become part of the theatre's official repertoire, complete with English subtitles.
Based on Nikolai Gogol's 1836 short story, the play follows a mid-level government official who wakes up to find his nose has detached and taken on a life of its own. The protagonist's response to this bizarre turn of events is telling, as he does not question the system but wonders why this has happened to him.
As the story progresses, the imps responsible for cutting off the protagonist's nose initially appear as figures living in a dumpster. These mischievous characters transform into various other characters, including a doctor, a journalist, and a dog, each offering a unique commentary on the protagonist's life and the societal norms he has blindly complied with.
The protagonist's nose occupies his office, wears his clothes, and earns more respect than he ever did. The media, when approached by the protagonist seeking justice, are uninterested in the truth, loyal instead to influence, clicks, and hierarchy. The protagonist's life takes a turn for the worse, and he becomes homeless, living near the dumpster in front of his former office.
The play's stage design is minimalist, but it is a well thought, high-quality production. Impressive choreography by Nika Khrikuli and standout performances from an all-star Georgian cast including Duta Skhirtladze, Manana Kozakova, and Baia Dvalishvili make this production a must-see.
A dog in the play delivers the line: 'The slave does not dream of freedom; the slave dreams of its own slaves', encapsulating the protagonist's life of blind compliance to the system without self-reflection or change.
In a parallel narrative, independent journalism in the Caucasus region is experiencing a decline. However, a newsroom is being built to counter this trend, powered by reader-members. The play, with its themes of identity, power, and status, serves as a poignant reminder of the importance of questioning the system and striving for self-reflection and change.
"The Nose" has been staged as part of the 2025 Tbilisi International Festival of Theatre, and it continues to provoke thought and conversation among audiences. Levan Tsuladze, the director of "The Nose," directed the film himself, ensuring a cohesive and impactful adaptation of Gogol's classic tale.
