Displaying rather than describing: Timeless lessons from Donna Leon for writing engaging novels
In the world of crime fiction, Ross Macdonald's novels stand out for their intricate plots and deeply human characters. One such novel, The Blue Hammer, introduces us to Lew Archer, a private investigator who serves as an avenging angel, uncovering the flaws and weaknesses of those around him.
Set in California, USA, The Blue Hammer follows Archer as he is hired to investigate the disappearance of a painting that resembles the work of Richard Chantry, a famous local painter who vanished more than two decades prior. The Biemeyers, the owners of the painting, are well-known figures in their town, living in a large, expensive home.
As Archer delves deeper into the mystery, he uncovers a web of secrets and lies that lead to murder. The plot, reminiscent of the novels of Charles Dickens, moves like an arrow, aiming at a single target, often revealing the motivation of a crime. However, it is not just the plot that captivates readers; Macdonald keeps authorial comment to a minimum, allowing characters to reveal themselves through words and actions.
Lew Archer, with his old-fashioned charm, presents his interest in women in a way that is both intriguing and respectful. The Biemeyers' daughter is involved with Fred Johnson, a no-longer-young student at a nearby college, who is passionate about Chantry's work.
The final pages of The Blue Hammer reveal the monstrous forms into which human weakness can be moulded. Archer, in the end, can only view what remains with pity. Readers are lured into feeling the same emotion of pity as Archer, as the novel concludes with graphic descriptions of violence, but the interest lies in understanding what brought it about and how it has affected the characters.
Macdonald's prose is rich and elegant, containing numerous turns of phrase beyond imitation. His novels are filled with authorial largesse, making it tempting to steal phrases from the author. Yet, it is the ethical underpinnings of Archer's life and work that truly shine, showing compassion for people, even the bad.
Ross Macdonald, who passed away in 1983, was a master of revealing the souls of his characters. In The Blue Hammer, he does just that, as Archer navigates a complex plot filled with secrets, discoveries, and ultimately, a profound understanding of the human condition.
