Debilitating darkness: "Johanna" by Brecht at the Schauspielhaus Düsseldorf
In the heart of Düsseldorf, the iconic Schauspielhaus stage is set to echo with the powerful messages of Bertolt Brecht's "Saint Joan of the Stockyards." Originally premiered in 1959, this play reimagines the story of Joan of Arc, placing her in a working-class, capitalist context, where she stands as a symbol of resistance against social and economic injustice in the stockyards.
The plot revolves around Joan, a character inspired by Joan of Arc, who confronts the brutal exploitation and power structures embodied by the capitalist meatpacking industry. This struggle mirrors the ongoing battle of the proletariat against oppressive economic forces.
The play's themes resonate deeply with contemporary issues, exploring the conflict between capitalism and the working class, social injustice, and economic exploitation. It also delves into the role of idealism and resistance within a capitalist society, the redefinition of heroism and martyrdom in a modern social context, and even touches upon gender identity, as some interpretations portray Joan as trans and non-binary.
While specific details about the current Düsseldorf production are not widely available, it is expected to follow the tradition of the Schauspielhaus, offering contemporary and critical interpretations that emphasize Brecht's epic theatre principles. This means the play is likely staged to highlight its political critique of capitalism and labor exploitation, with innovative portrayals of Joan's character in line with present-day themes of gender identity and social justice.
The play is set in a timeless hell, with a gray backdrop designed by Olaf Altmann. Caroline Cousin portrays the central character, Johanna, who comes to "upright the people once again in dark times of bloody confusion." Johanna, a lawyer for workers, finds herself in a losing battle against the all-powerful capital, a battle that leaves her feeling helpless and scared, as depicted by her collapse in the face of impending violence.
The play's music, provided by a mournful saxophone, dynamically drives the didactic monologues, creating a tense and engaging atmosphere. The character of Mauler, the meat factory owner, wears a red cloak and claims to have pity for the slaughtered animals but is driven by profits. Moritz Klaus portrays the character "Broker" Slift, a shrill clown of horror who is only concerned with driving up the price.
The play's message is stark and clear: man has no chance against money. The character of Johanna, though not clearly defined, could be seen as a messenger of humanity, Mauler's bad conscience, or an angel in bloody sackcloth.
If you're interested in experiencing this powerful production, the next performances of "Saint Joan of the Stockyards" at the Düsseldorf Schauspielhaus are on May 8th, 27th, June 4th, 21st, and July 1st. For more information and to book tickets, visit www.dhaus.de. Roger Vontobel directs this production, promising a thought-provoking and relevant interpretation of Brecht's classic play.
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