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Conference in 2017: Akira Kagami, advisor at Drill, also serving on the Executive Committee of ADFEST 2017

Distinguished adman, previously Dentsu's creative head, discusses the unique qualities of ADFEST in contrast to other advertising events, covering a range of relevant issues.

ADFEST 2017: Akira Kagami, advisor at Drill, sits on the Steering Committee of the event
ADFEST 2017: Akira Kagami, advisor at Drill, sits on the Steering Committee of the event

Conference in 2017: Akira Kagami, advisor at Drill, also serving on the Executive Committee of ADFEST 2017

In the world of advertising, Akira Kagami is a name that commands respect. Known as a legendary ad man, Kagami served as the Chief of Creative at Dentsu in 2016 and 2017. This year, Kagami has contributed an article to Adobo magazine, shedding light on the unique aspects of ADFEST 2017.

ADFEST, as it's known, is different from other advertising festivals. Kagami discusses various related topics regarding ADFEST in his article titled "Drill." The piece, published in Adobo magazine which is associated with ADFEST, offers a deep dive into the festival's inner workings and the experiences it provides.

In "Drill," Kagami discusses the differences between ADFEST and other advertising festivals. He shares his unique perspective, drawing on his extensive experience in the industry. The article is a must-read for anyone interested in the world of advertising and the impact of festivals like ADFEST.

Akira Kagami's contributions to the advertising industry are numerous. His work at Dentsu, one of the world's largest advertising and public relations companies, has been groundbreaking. Now, with his article in Adobo magazine, Kagami continues to share his insights and expertise, making him an invaluable resource for those in the industry.

ADFEST 2017 is a subject of discussion in Kagami's article. He talks about the festival's unique atmosphere, the quality of the work presented, and the opportunities it provides for networking and learning. For those who have attended ADFEST, Kagami's article is a nostalgic journey back to the festival. For those who haven't, it offers a tantalizing glimpse into what they might expect.

In conclusion, Akira Kagami's article in Adobo magazine provides a fascinating insight into ADFEST 2017. As a respected figure in the advertising industry, Kagami's words carry weight, and his insights are sure to be of interest to anyone involved in the world of advertising. Whether you're a seasoned professional or a curious newcomer, "Drill" is a must-read.

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