Bully's Assertion: The Woke Movement possesses intrinsic value
Michael "Bully" Herbig, the director of the upcoming comedy "Das Kanu des Manitu," has expressed a desire for calmer and more respectful debates in Germany. In an interview with the German Press Agency, Herbig advocated for listening to each other more and avoiding rigid viewpoints.
"Das Kanu des Manitu" is the sequel to the Western parody "Der Schuh des Manitu," one of the most successful German films. The film, which will be released in theaters on August 14, has sparked discussions about the handling of creative works in Germany.
Herbig's comments about the current state of debates come as the film releases. He believes that it is wrong to bash everything found offensive and label it as 'woke.' Instead, he suggests that people should focus on making great films and leave creative evaluation to the audience.
Regarding criticisms of his past works, such as "Der Schuh des Manitu," Herbig emphasized that his intention was to make everyone laugh without maliciously trashing any group. He has aimed to observe and imitate people closely without malice, as seen in his recent collaboration with Native Americans, who found the script funny and were involved meaningfully.
While Herbig did not make explicit statements on the Woke culture or broader cultural debates, his approach indicates a focus on comedy that respects different groups without malicious intent. His collaboration with Native Americans in respectful ways suggests sensitivity to social issues in contemporary filmmaking. This implies he values creative freedom but also acknowledges the importance of respectful representation.
Herbig finds it surprising that the film was met with criticism rather than creative evaluation. He views the growing awareness of injustices, offensive, or racist representations as a positive development. However, he believes that the Woke movement, while generally good, can tip in the wrong direction if taken too far.
In summary, Michael Bully Herbig’s publicly conveyed views point toward balancing humor and respect, striving to maintain creative freedom that does not intentionally harm or exclude, which can be seen as his practical stance on cultural sensitivity debates in filmmaking.
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