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"Bugland" Instead of Happiness

Jasmine White-Gluz, born in Montreal, doesn't let pressure hinder her creation. Her latest album, titled Bugland, has been released...

"Bugland instead of Joy"
"Bugland instead of Joy"

"Bugland" Instead of Happiness

Montreal's Jasamine White-Gluz Unveils Genre-Fluid Masterpiece "Bugland"

In a rare public appearance, Montreal-born singer and songwriter Jasamine White-Gluz has made waves with the release of her fifth album, "Bugland." This eclectic and vibrant work, produced by experimental electronic artist Fire-Toolz (Angel Marcloid), offers a fusion of layered, fuzzy textures with an ambitious mix of electronica and rock elements.

"Bugland," consisting of eight pieces and lasting for 34 minutes, traverses many musical genres, primarily rooted in shoegaze but enriched by electronica, psychedelia, and rock influences. The album's production, under the guidance of Fire-Toolz, has created a bright, colorful, and multifaceted musical experience.

White-Gluz herself has cited U2's Zooropa (1993) as an influence on "Bugland," aiming to venture into diverse soundscapes beyond strict genre confines. This is evident in the album's tracks, where the dancing rock of "Save the Lobsters" dissolves into synth waves in "Bugland."

The guitars in "Bugland" roar, from the opening track "Garbage Dream House" to the exhilarating "Bits." The four-handed realization in "Bugland" is as captivating as the compositions, and the album concludes with the distorted "Jelly Meadow Bright." As the listening progresses, the songs in "Bugland" take unexpected forms, making it a truly genre-fluid masterpiece.

"Bugland" was released five years after her album "Motherhood," and it marks a significant step in White-Gluz's musical evolution. The album's release comes amidst a flurry of news, including the prioritization of foreign workers in immigration in Quebec in July and the overturning of the conviction of the Republican government in April.

In the world of music, White-Gluz's collaboration with the iconoclastic experimental American composer Fire-Toolz has undoubtedly been a highlight. The two have created a unique and captivating album that explores new sounds from the 1990s, offering a fresh take on the shoegaze genre.

With "Bugland," Jasamine White-Gluz has delivered a genre-defying album that is sure to resonate with music lovers. The album's release is a testament to White-Gluz's musical prowess and her willingness to push the boundaries of her craft.

This genre-fluid masterpiece, "Bugland," by Montreal-born songstress Jasamine White-Gluz, has made a bold statement in the world of music. It questions the boundaries of shoegaze, combining it with electronica, psychedelia, and rock, thus making waves in the general-news realm of music.

Meanwhile, in the realm of political news, the prioritization of foreign workers in immigration in Quebec and the overturning of the conviction of the Republican government have been making headlines.

Amidst these events, the entertainment industry has been abuzz with the unconventional collaboration between White-Gluz and Fire-Toolz, who together have created a unique and captivating album that redefines the shoegaze genre, echoing in the crime-and-justice sector with their innovative sound.

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