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Bardeaux & OSM's Final Shows: A Lively Blend of Music & Orchestration

The audience was captivated by the blend of music and orchestration. The OSM's depth and drama elevated the Bardeaux's performance, leaving fans eager for their return.

Here we can see a group of people playing violins and there are papers here and there on the ground
Here we can see a group of people playing violins and there are papers here and there on the ground

Bardeaux & OSM's Final Shows: A Lively Blend of Music & Orchestration

The Bardeaux and the Orchestre symphonique de Montréal (OSM) concluded their series of concerts at the Maison symphonique with a lively performance that marked the group's final shows for the time being. The audience was captivated by the blend of the Bardeaux's music and the OSM's orchestration, creating an unforgettable evening.

The concert kicked off with the audience enthusiastically singing along to the opening verses of 'Haricots'. The energy in the room was palpable as the crowd stood up to dance and sing mid-program. The OSM's orchestration added depth to the Bardeaux's music, with pieces like 'La riviere' transcending the audience with its beautiful five-voice arrangement and classical accompaniment.

Antoine Gratton's arrangements supported the Bardeaux's music, incorporating classical accents during more subdued songs. The OSM's orchestration also elevated the dramatic intensity of numbers like 'La danse des mardis gras' and 'Joe Richard'. The Bardeaux premiered a new song, 'Ma maison c'est toi', with the OSM, which received a standing ovation from the audience.

The OSM launched its OSM Pop season with the Bardeaux, treating the audience to an exhilarating and festive evening. Dina Gilbert, the young conductor, led the OSM with ease and collaborated seamlessly with the Bardeaux. The Bardeaux's new songs, composed by Marcel Bardeau, were well-received, and the group's final concerts at the Maison symphonique left the audience eager for their return.

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