Balzac's opening night was marred by a misguided publicity strategy he himself orchestrated.
Honore de Balzac, the renowned French author of La Comédie humaine, stepped into the world of theatre with high hopes for his five-act comedy, Les Ressources de Quinola. The opening night in 1842 was anticipated with great excitement, promising a gathering of the French aristocracy, beauty, and talent.
However, the night was far from what was expected. Balzac's marketing strategy, which included selling tickets only to his assured friends and spreading a rumour of a sold-out show, did not yield the desired results. The opening night was mostly empty, leaving a small audience in a critical and captious mood.
The unconventional methods Balzac employed during the first rehearsal may have played a significant role in this outcome. Honore de Balzac's unfinished fifth act was improvised during the first rehearsal, and he forced his cast members to sit through it despite not having written it yet. This unconventional approach could have contributed to the play's overall reception and success.
Moreover, the small audience on the night of the opening was not just a result of Balzac's marketing strategy. The unpopularity of Balzac as a playwright could also be a potential reason, with his unconventional methods during the first rehearsal of Les Ressources de Quinola being a potential contributing factor.
Despite the disappointing debut, it is essential to note that Balzac's unconventional methods may have added to his reputation as a playwright. His daring approach to theatre, including improvising an unwritten act, could have influenced his standing in the world of theatre.
In the end, Balzac's Les Ressources de Quinola failed to captivate the audience on its opening night. The play's failure may not be solely attributed to Balzac's publicity schemes, but also to the unfinished fifth act and the critical and captious mood of the small audience.
As for the details of the personalities Honore de Balzac invited to the first performance of Les Ressources de Quinola on March 19, 1842, there is no information available in the search results. Regardless, the event marked a significant moment in Balzac's theatrical career, one that would be remembered for its disappointing debut rather than its promise.
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