Alterations in every domain, everywhere, simultaneously in the film titled Editing Everything Everywhere All At Once
In the vibrant world of filmmaking, the Daniels, Daniel Kwan and Daniel Scheinert, have made a name for themselves with their unique approach to storytelling. This is particularly evident in their latest production, "Everything Everywhere All at Once," a film that masterfully explores themes of masculinity, parenthood, and empathy.
The film follows the lives of Evelyn, played by Michelle Yeoh, and Waymond Wang, portrayed by Ke Huay Kwan. Evelyn finds herself venturing beyond the confines of her laundromat, while Waymond gets a unexpected papercut in a twist of events.
The Daniels' innovative style is evident in their "playpen" mentality, a method that allows them to experiment with different genres within a single narrative. They are known for taking dramatic scenes and transforming them into comedic, action, or horror sequences, often as a surprise for the directors.
The visual effects in "Everything Everywhere All at Once" were primarily created using Premiere, without the need for external software like After Effects. This approach, combined with the film's thought-provoking themes, has earned it critical acclaim.
The film's editor, Paul Rogers, played a crucial role in bringing the Daniels' vision to life. Rogers, who moved from Alabama to Los Angeles in 2013, was deeply moved by the Daniels' passion and emotional weight when they first pitched the film. This emotional impact motivated him to take on the project.
Rogers worked closely with the Daniels, describing their collaboration as a blend of enthusiasm and emotional depth. He noted their laughter and camaraderie during the editing process, but also their serious investment in the film's emotional scenes.
Rogers' work on "Everything Everywhere All at Once" was rewarded with the Academy Award for Best Film Editing. This accolade underscores the success of his collaboration with the Daniels and his commitment to the film.
In addition to his work on "Everything Everywhere All at Once," Rogers also worked with Daniel Scheinert on his solo film "The Death of Dick Long." He met both Scheinert and Daniel Kwan at Scheinert's birthday party in 2013.
Michelle Yeoh's performance in the film is noteworthy. Her ability to listen attentively when someone is delivering a line around her is a testament to her superb acting skills.
The filmmakers also injected humor into the film, using funny sound effects to lighten the mood during screenings. The film was pitched as "we want to make a film, and then we want to break that film, and then we want it to rebuild itself."
Despite the serious nature of their work, the Daniels remind themselves that making a movie should be enjoyable and not always taken too seriously. This light-hearted approach contributes to their unique style and the success of their productions.
The movie "Everything Everywhere All at Once," falling under the realm of movies-and-tv entertainment, is a testament to the Daniels' unique approach to storytelling, showcasing their proficiency in blending different genres within a single narrative. The innovative editing by Paul Rogers, who has worked with the Daniels and Daniel Scheinert on various projects, contributed significantly to the film's critical acclaim and entertainment value.
