Skip to content

"Ahab acts impulsively, guided by his emotions rather than rational thought"

Gathering of esteemed explorers: An event graced by Frank Petzold, Alexander Balanescu, Tony Cragg, and Moby – at the Heckinghauser Visiodrom. 'I dreamed it again' presented an orchestral concert, anchored by texts from Herman Melville's classic novel 'Moby Dick', complemented by 360-degree...

Ahab acts impulsively, relying more on emotions rather than logical thought.
Ahab acts impulsively, relying more on emotions rather than logical thought.

"Ahab acts impulsively, guided by his emotions rather than rational thought"

In a captivating performance, the Schoenberg Ensemble of the Hochschule für Musik und Tanz Köln, Wuppertal branch, under the direction of Werner Dickel, guides audiences through the timeless tale of obsession and revenge in Herman Melville's classic novel, Moby-Dick.

The ensemble, comprising Luise Kinner, Ingeborg Wolff, Bernd Kuschmann, Pierre Siegenthaler, and other talented musicians, read texts from wooden boxes, weaving together the narrative with a haunting musical score. The stage design, created by Tony Cragg, immerses the audience in the dripping ropes and creaking beams of the ship "Pequod."

The film, directed by Frank Petzold, known for his near-Oscar winning film "All Quiet on the Western Front," transports viewers onto the ship amidst vast images, hopeless darkness, and the ominous white screen, transforming perceptions into boundless fear.

The narrative suggests that all are in the same damned boat, implying a shared fate. The audience may feel subject to Captain Ahab's mad commands on his quest for revenge, as Ahab's actions are driven by feelings rather than thought. The music, insistent repetitions, tempo, and a lonely tenderness convey the madness, while the cellos give it the depth of the restless ocean.

The highlight of the evening is the description of the color white, where Luise Kinner reads and Alexander Balanescu plays the violin. The audience is presented with the idea that they are following the fate, are hunted by the white whale in their dreams, even though they are the ones pursuing it.

The theme of murder, whether on land or at sea, is implied throughout the performance. Pip's laughter fades into merciless hopelessness, and he is seen going under. The singers convey the madness, and the cellos give it the depth of the restless ocean.

The white whale, the object of Ahab's madness, is the last thing Ahab does before his journey ends. Only Ismail survives at the end, leaving the audience with a sense of loss and the lingering question of what could have been.

The film gives the sensation of being on the ship "Pequod," amidst dripping ropes and creaking beams, making for a powerful and immersive experience. For those seeking a captivating exploration of obsession, revenge, and the human condition, this musical adaptation of Moby-Dick is not to be missed.

Read also:

Latest