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Advocate asserting: "The Woke Movement holds inherent merit"

Western Spoof, Manitu's Canoe, Embraces and Twists Stereotypes, Dividing Audiences; Director Michael Bully Herbig's Focal Point Remains Clear.

Bully's Stance: The Woke Movement has intrinsic value
Bully's Stance: The Woke Movement has intrinsic value

Advocate asserting: "The Woke Movement holds inherent merit"

In the world of German cinema, acclaimed filmmaker Michael Bully Herbig is making waves with his latest production, "Das Kanu des Manitu." The sequel to the successful Western parody "Der Schuh des Manitu," the film is currently gracing cinemas across Germany, with its release date set for August 14.

Herbig, known for his collaborative and open approach, has expressed his thoughts on the importance of listening more in debates, particularly in the realm of filmmaking. He believes that debates should be conducted more calmly, focusing on making a nice film first, and then watching it together, rather than immediately criticizing or labeling it.

This sentiment is evident in the creation of "Das Kanu des Manitu." Herbig acknowledges that humor and societal sensitivity evolve over time, and it was necessary to confront all relevant issues openly during its creation. This approach reflects an understanding of the need to balance entertainment with sensitivity to social justice concerns and evolving cultural standards.

Herbig recognizes the growing awareness of injustices, hurtful, or racist representations as positive. However, he is concerned about the prevalence of rigid viewpoints and advocates for more open-mindedness in filmmaking and debates. He finds it surprising that the film was criticized immediately without trusting the creative and clever approach of the production team.

The filmmaker believes that the Woke movement is a good thing, but he cautions against taking it too far, as it may tip over. This statement suggests a potential tension between creative freedom and the immediate criticism or labeling of certain films or perspectives.

Herbig values the creative and collaborative process in filmmaking, rather than immediate criticism or labeling. He states, "We've banged everything on the table," suggesting a deliberate willingness to discuss and reconsider aspects of humor that might be sensitive today. His work on "Das Kanu des Manitu" responds to contemporary debates about comedy’s limits and social justice, engaging these themes through frank discussion while preserving artistic humor.

In sum, Herbig advocates for a candid and respectful approach, open to reflection and dialogue rather than avoiding contentious issues. His work on "Das Kanu des Manitu" is a testament to this philosophy, engaging with contemporary cultural debates while preserving the essence of artistic humor.

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